Clement Ortiz

Marishka Roseville is a luxury and elegant display serif font. Marishka Roseville is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Oblique Version.

This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application.

We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.

We hope you enjoy the font. Thanks for purchasing and have fun!

I made this font during the rather hectic start of 2021. Popular Vote is an easygoing, laid-back kinda font. It fits just about anywhere, regardless of your political orientation, your sense of aesthetics or the job you will use it for.

Popular Vote will feel at home on a box of crackers, on the cover of a book about keto diets, or on that T-shirt you have always wanted to design.

Enjoy!

Germaine™ is a vintage style small caps serif font that works great for logos, packaging, branding, menus, advertising, and posters. From large title headlines to small detailed text, this font stays legible through a wide range of point sizes. The entire lowercase letter set was redrawn with the weights adjusted to be proportional to the capital letters. This font also includes a full set of characters for Western, Central, and South Eastern Europe languages.

Paperly is the perfect way to add a friendly, hand-written touch to any project! It's simple and minimalist design conveys a calm and friendly feel.

It was designed by Rachel Kick based on original hand-drawn letters. Each character was initially drawn on paper before being transformed into a simple typeface. It has 4 styles that can be combined or used individually to fit the needs of any project.

Chamelton is a massive layered font family that gives a wide range of creative choices for design creation using combinations of layers, colors, and weights. The collection includes 109 Sans Serif all-caps fonts, three weights monoline script, plus 198 extras for even more creative support.

The base of Chamelton is a classic Sans Serif shape intentionally designed without strong stylistic accents to leave the styling space for layer combinations and also better complementing with other fonts outside the family. It can be used as a complete design tool or as a partial element to complement your work.

Primarily Chamelton is designed for any type of text that needs to stand out and catch the eye. Identity, labels, packaging, price tags, signboards, posters and magazines, headlines, websites, apps or video footage - you name it!

Combination layers inside the subfamily and between can give tons of options. Some styles can be used only as part of a layer set, but a lot of them can be used as stand-alone fonts. Keep in mind that the layers match only within their weights.

A Chamelton font family is offering You:

- Chamelton 10 Display - 7 weights: Thin, ExtraLight, UltraLight, Light, Regular, SemiBold, Bold, Black.

- Chamelton 20 Outline - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 21 Inline - 3 weights: SemiBold, Bold, Black. 3 layers for each weight.

- Chamelton 22 Dots - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 23 Lines - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 24 Emboss - 3 weights: SemiBold, Bold, Black. 3 layers for each weight.

- Chamelton 25 Gradient - 3 weights: SemiBold, Bold, Black.

- Chamelton 30 3D - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 31 Extrude - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 32 Divided Extrude - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 33 Flat Shadow - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 34 Drop Shadow - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 35 Gap - 7 weights: Thin, ExtraLight, UltraLight, Light, Regular, SemiBold, Bold, Black

- Chamelton 36 Script - 3 weights: Regular, Bold, Black.

- Chamelton 40 Extras - 198 graphic elements: Logos, Banners, Arrows, Stripes, Flags, and 

Labels.

It is very easy to create a layered multi-colored font - just layer them over the top of one another and give them a different color. Chamelton works great in any graphics software that allows you to use layers. For Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Adobe XD, Sketch, and Figma included guides with the best practice of use. Check the Specimen PDF for more information.

Every exit is an entry somewhere else. It’s a quote by British playwright Tom Stoppard and I really like it!

Exit strategy is a rough brush font, which I made using Chinese ink (where would I be without my Chinese ink??) and the new batch of French paper I bought.

Use this font to highlight all that is important, stick it on posters, slap it on book covers - it will definitely do the trick!

In English folklore (in particular that of Yorkshire and Lancashire), Grindylow is a creature that dwells in rivers and lakes and is said to grab children who come too close to the water’s edge and drown them. It is thought the name Grindylow may be connected to the monster Grendel.

Grindylow font does not grab children; it is a rather messy handmade brush font. I used a cheap brush and Chinese ink to create the glyphs.

Comes with discretionary double letter ligatures for the lower case.

Zuume Soft is a high-impact, condensed sans serif, display font family with a soft touch. A sister to Zuume, this version features round corners for a little bit of a friendly appearance. Coming in multiple weights and italics, its range in thickness give a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch. 

A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.

Also part of each font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available as well.

Zuume Soft has many features:

• Catchword glyphs (PUA-encoded)

• Stylistic alternates

• Arrows

• Fractions, numerators, denominators

• Superscript, subscript

• Slashed zero

With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

I love my bike, and I couldn't dream of not using it on a daily basis - I use my bike in rain, sun, snow, and windy days...all year, in other words!

This font is dedicated to my bike, and is the second in a series of handmade fonts!

Play around with the 5 layers and your favourite colours, for awesome effects. All versions comes with Contextual Alternates, which means several versions of each letter. In this case, every letter has 7 different versions that automatically cycles as you type! A quite awesome thing, because it makes your text more lively and natural looking!

Peanuts are a good source of healthful fats, protein and fiber - and besides that, I looove peanuts! Every once in a while, I have to name a font peanut-something. But I only do that with fonts that have that organic and handmade look and feeling ... and in this case, this font looked perfect to have the honour! :)

Peanut Jam is super handmade and has 4 different versions of each lowercase letter and besides that, the font has multilingual support! Go get that peanut butter feeling! :)

Tasty Joke was made with a slightly bulgy pen, and by using a loose touch.The result: two fine kinds of naive and lively letters. Combine the Regular and Line versions for cool results.

While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. 

Poultry Sign has six styles in two widths, each with three weights. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and lower-case V.

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true.

Yuge is a handwritten font - made with a Sharpie pen.

Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

I have no idea why I named this font Modern Fantasy: it just popped up in my head and it stuck. I don’t consider myself to be ‘modern’ (but I’m certainly not old fashioned!), nor do I have particularly modern fantasies… 

Modern Fantasy is an elegant all caps font: thin, tall and lovely.

I was doodling away with a sharpie pen on a rainy day.

Hey… wait a minute. A rainy day, a font called Rainclouds… Yep, that’s right, it is called Rainclouds for that reason! ;-)

Rainclouds is a fat marker font with a lot of texture and a lot of mouth.

This all started as a bunch of letter written using a squared paper as a guide. It all turned out fine, but there was something that wasn't quite right...it was boring! I took all the letters and grunge it all up and did all the drips as well - and suddenly that boring look was gone!

That was an unlikely development!